Movies Detail of Delta Force 3: The Killing Game (1991)

✓ Title : Delta Force 3: The Killing Game
✓ Release Date : January 1st, 1991
✓ Genres : Action, Adventure
✓ Runtime : 97 minutes
✓ Director : Sam Firstenberg
✓ Company : Global Pictures
✓ Country : United States of America
✓ Cast : Eric Douglas, Mark Ivanir, Matthew Penn, John Phillips, Nick Cassavetes, John Saint Ryan, Mike Norris

Synopsis of Delta Force 3: The Killing Game (1991)

A terrorist places an atom bomb somewhere in an American metropolis. The president of the U.S. has no other choice; he has to call Delta Force.




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Delta Force 3: The Killing Game (1991)

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Delta Force 3: The Killing Game Free Movie Online - deals with superheroes, supervillains, super-powered humans, aliens, or mutants, and their adventures. Distinct from (but often derived from) comic books, animated films, and graphic novels, these are prose stories and full-length novels. Superhero fiction is a type of speculative fiction. The largest and longest running of the corporate series are those associated with the DC Universe and the Marvel Universe.

Delta Force 3: The Killing Game Full Movie Movie Ninja - The absurdist genre focuses on the experiences of characters in situations where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value.

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Delta Force 3: The Killing Game Trailer Dailymotion - An adventure story is about a protagonist who journeys to epic or distant places to accomplish something. It can have many other genre elements included within it, because it is a very open genre. The protagonist has a mission and faces obstacles to get to their destination. Also, adventure stories usually include unknown settings and characters with prized properties or features.

Delta Force 3: The Killing Game Film Cda Pl - A subgenre of fantasy that is primarily humorous in intent and tone. Usually set in imaginary worlds, comic fantasy often includes puns on and parodies of other works of fantasy. It is sometimes known as low fantasy in contrast to high fantasy, which is primarily serious in intent and tone. The term "low fantasy" is also used to represent other types of fantasy, so while comic fantasies may also correctly be classified as low fantasy, many examples of low fantasy are not comic in nature.

Delta Force 3: The Killing Game Film A Voir Avant - historical romances like those of Walter Scott would use the term to mean "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". But most often a romance is understood to be "love stories", emotion-driven stories that are primarily focused on the relationship between the main characters of the story. Beyond the focus on the relationship, the biggest defining characteristic of the romance genre is that a happy ending is always guaranteed... perhaps marriage and living "happily ever after", or simply that the reader sees hope for the future of the romantic relationship. Due to the wide definition of romance, romance stories cover a wide variety of subjects and often fall into other genre categories as well as romance,such as Comedy-Romance (also known as romcom films), romantic suspense and (less common now): subcategories such as hospital romances, as found in the novels by Lucilla Andrews. See Mills & Boon imprint categories and Harlequin romances categories for a partial list of other sub-genres.

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Delta Force 3: The Killing Game Movie Storyline - concerned with the end of civilization either through nuclear war, plague, or some other general disaster. Post-apocalyptic fiction is set in a world or civilization after such a disaster. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized). Post-apocalyptic stories often take place in an agrarian, non-technological future world, or a world where only scattered elements of technology remain. There is a considerable degree of blurring between this form of science fiction and fiction that deals with false utopias or dystopic societies.

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